<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Developer Tutorials' Webmaster Blog &#187; photoshop tutorial</title>
	<atom:link href="http://www.developertutorials.com/blog/tag/photoshop-tutorial/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.developertutorials.com/blog</link>
	<description>Keeping webmasters up-to-date on technology.</description>
	<lastBuildDate>Thu, 18 Feb 2010 19:01:26 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Color Proofing Photoshop</title>
		<link>http://www.developertutorials.com/blog/design/photoshop-design/color-proofing-photoshop-120/</link>
		<comments>http://www.developertutorials.com/blog/design/photoshop-design/color-proofing-photoshop-120/#comments</comments>
		<pubDate>Thu, 17 Apr 2008 22:45:24 +0000</pubDate>
		<dc:creator>JonGos</dc:creator>
				<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[photoshop tutorial]]></category>
		<category><![CDATA[photsohop color proofing]]></category>

		<guid isPermaLink="false">http://www.developertutorials.com/blog/design/photoshop-design/color-proofing-photoshop-120/</guid>
		<description><![CDATA[One thing that many people forget to notice when making graphics in Photoshop are color profile settings. By mastering the use of color profiles you can ensure that your images display the same across as many different computers as possible.  
I can&#8217;t tell you how many times I&#8217;ve &#8217;saved for web&#8217; only to proof [...]]]></description>
			<content:encoded><![CDATA[<p>One thing that many people forget to notice when making graphics in Photoshop are color profile settings. By mastering the use of color profiles you can ensure that your images display the same across as many different computers as possible.  </p>
<p>I can&#8217;t tell you how many times I&#8217;ve &#8217;saved for web&#8217; only to proof the image in Safari or Internet Explorer to find that colors are off in one or the other.  Many browsers aren&#8217;t color managed, but even more are.  This is because color profiles for the web were never standardized and images look different for a number of reasons:</p>
<p><span id="more-120"></span></p>
<ul>
<li>Every computer and monitor display colors differently by default.</li>
<li>Every browser displays colors differently.</li>
<li>Some CSS stylesheets will cause colors to display differently.</li>
<li>Sometimes a web service (like Flickr) reads or embeds color profiles in images to optimize them for viewing.</li>
</ul>
<p>So if there are so many different standards, how the hell can you make sure you optimize your images for all of them?  Well, to reduce the chaos the International Color Consortium introduced a universal color management system that would function transparently across all operating systems and software packages.  In 1993 they began working on the ICC Profiles that we use today.  With these three steps you&#8217;ll learn what to do to make sure your colors remain close to what you originally intended them to be. </p>
<p>Note: The following steps are for Mac workflow, if you&#8217;re using a PC there will (of course) be differences. </p>
<p><img src="http://farm4.static.flickr.com/3001/2419212510_aa77df58d8.jpg"></p>
<p><b>Step 1 &#8211; Calibrate your Display</b></p>
<ul>
<li>On your Mac go to &#8216;System Preferences&#8217;.</li>
<li>Select &#8216;Displays&#8217;.</li>
<li>Select &#8216;Color&#8217;.</li>
<li>Select &#8216;Calibrate&#8217; and follow the steps.</li>
<li>Go to <b>Applications &gt;&gt; Utilities &gt;&gt; ColorSync Utility</b></li>
<li>&#8216;Verify&#8217; your color profile settings, if you find any errors then &#8216;Repair&#8217; them.</li>
<li>For more information on how to use ColorSync visit Apple&#8217;s <a href="http://www.apple.com/pro/color/">pro tips</a>.
</ul>
<p><img src="http://farm4.static.flickr.com/3291/2419225872_c77018fd54_m.jpg"></p>
<p><b>Step 2 &#8211; Calibrate Photoshop</b></p>
<ul>
<li>Open Photoshop and go to <b>Edit &gt;&gt; Color Settings</b>.</li>
<li>The closest thing to a &#8217;standard&#8217; ICC profile is the sRGB IEC61966-2.1 so make sure that this is selected and for CMYK use U.S. Web Coated (SWOP) v2.  For a more detailed explanation of what each option does <a href="http://www.computer-darkroom.com/ps10_colour/ps10_1.htm">click here</a>.</li>
<li>Next, close all documents and go to <b>View &gt;&gt; Proof Setup &gt;&gt; Custom</b>.  The settings here will allow you to simulate what your document will look like after printing or publishing online.</li>
<li>I can&#8217;t go into the full details of soft-proofing but you may want to try <a href="http://www.luminous-landscape.com/tutorials/soft-proofing.shtml">this page</a> for more details.</li>
</ul>
<p><b>Step 3 &#8211; Saving an Image</b></p>
<ul>
<li>Now that you&#8217;ve optimized your system to handle color in the best way possible you need to save your images so that they will display on the web like you want them to.  Select <b>Edit &gt;&gt; Convert to Profile (not Assign to Profile)</b>. Choose sRGB for the image&#8217;s Destination Space and click &#8216;OK&#8217;.</li>
<li>If you open the Convert to Profile dialog box again, you&#8217;ll see that both the source and the destination spaces have changed to sRGB.</li>
<li>We&#8217;re doing this instead of using the &#8216;Save For Web&#8217; option.  Doing this in the program instead of in &#8216;Save for Web&#8217; attempts to maintain the original colors as closely as possible.</li>
</ul>
<p>In all honestly, someone could write a book on just this subject alone but these three quick steps should help you begin to improve the way you work with color in Photoshop.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.developertutorials.com/blog/design/photoshop-design/color-proofing-photoshop-120/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Creating Energy Spheres in Photoshop</title>
		<link>http://www.developertutorials.com/blog/design/photoshop-design/creating-energy-spheres-in-photoshop-119/</link>
		<comments>http://www.developertutorials.com/blog/design/photoshop-design/creating-energy-spheres-in-photoshop-119/#comments</comments>
		<pubDate>Tue, 15 Apr 2008 18:39:46 +0000</pubDate>
		<dc:creator>JonGos</dc:creator>
				<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[manipulation]]></category>
		<category><![CDATA[photo]]></category>
		<category><![CDATA[photoshop]]></category>
		<category><![CDATA[photoshop energy spheres]]></category>
		<category><![CDATA[photoshop tutorial]]></category>
		<category><![CDATA[ps energy beams]]></category>

		<guid isPermaLink="false">http://www.developertutorials.com/blog/design/photoshop-design/creating-energy-spheres-in-photoshop-119/</guid>
		<description><![CDATA[For this tutorial you&#8217;ll want to find a photo of someone doing something that looks a bit larger than life.  I used this photo that I found at the stock photo website Stock Exchange.  For this tutorial you&#8217;ll need a photo that you want to manipulate and some special brush sets which I [...]]]></description>
			<content:encoded><![CDATA[<p>For this tutorial you&#8217;ll want to find a photo of someone doing something that looks a bit larger than life.  I used <a href="http://www.sxc.hu/browse.phtml?f=download&amp;id=640917" title="sxc.hu" target="_blank">this photo</a> that I found at the stock photo website Stock Exchange.  For this tutorial you&#8217;ll need a photo that you want to manipulate and some special brush sets which I downloaded from <a href="http://r0man.de/free_photoshop_brushes.html" target="_blank">here</a>.</p>
<p>This will be the final result.  </p>
<p><img src="http://farm4.static.flickr.com/3230/2415911525_e32b2768f1.jpg"></p>
<p><span id="more-119"></span></p>
<div>
<ul>
<li>1.  Download the brush set and install it.</li>
<li>2. Now I&#8217;ll show how to take a child with a big imagination and turn him into the powerful being he imagine himself to be.</li>
<li>3. We&#8217;ll start by creating a new layer on top of our original and filling it with black.  Next we want to select <b>Filter &gt;&gt; Render &gt;&gt; Lighting Effects &gt;&gt; Lens Flare</b></li>
<li>4. Use the 105mm Prime with the Brightness setting of your choice.</li>
<p><img src="http://farm3.static.flickr.com/2115/2416824666_ca46d268a7.jpg" alt="Lens Flare"></p>
<li>5. This will create a bright flash.  Move it to the point where you want the &#8216;energy ball&#8217; to appear.</li>
<li>6. You may notice that when you move it, you can see the edges of the layer.  To rectify this, select the layer and add a &#8216;Layer Mask&#8217;.</li>
<li>7. Select default colors (white and black).  With the layer mask selected,  use the <b>Gradient Tool &gt;&gt; Radial Gradient &gt;&gt; Reverse</b> and drag from the center outwards.  This will mask everything in a sphere around the center.</li>
<li>8. Set both of these layers to the &#8216;Hard Light&#8217; setting.</li>
<li>9. I like to use the <b>Image &gt;&gt; Adjustments &gt;&gt; Photo Filter</b> to make the colors &#8220;pop&#8221;.  I also used this setting to make the lens flare a bluish color.  There are other ways to do this so experiment with your options.</li>
<li>10. Using the Brush set we installed earlier we want to apply them to the energy balls. I used the color black, with the layer&#8217;s Blend Options set to &#8216;Overlay&#8217;.</li>
<li>11.  With this layer selected, set the Layer Style settings like so:
<p><a href="http://farm4.static.flickr.com/3130/2416005255_9f32de97e7_m.jpg" target="_blank"><img src="http://farm4.static.flickr.com/3130/2416005255_9f32de97e7_m.jpg"></a></p>
<p><a href="http://flickr.com/photos/ww4f/2416825574/"><img src="http://farm3.static.flickr.com/2148/2416825574_7a284cc452_m.jpg"></a></p>
<li>12. Using the same technique that we used in Step 7, we want to mask the edges of our brush layers.</li>
<li>13. To create the &#8216;arc of light&#8217; we&#8217;ll use paths.  Select the &#8216;Ellipse Tool&#8217; and change it from &#8216;Shape layers&#8217; to &#8216;Paths&#8217;.  Now, draw a large circle or ellipse that includes both energy flares.</li>
<li>14. Once the arc is drawn we want to stroke it (no jokes please).  Select a brush that&#8217;s very small, maybe about a brush with a 5px diameter and use the color white. Go to &#8216;Paths&#8217; right click on the selected path, and select &#8216;Stroke Path&#8217;.  Check the &#8217;simulate pressure&#8217; option, this will give the ring a bit of perspective with a heavier stroke on one side and a lighter stroke on the opposite side.</li>
<p><img src="http://farm3.static.flickr.com/2135/2415496713_07df18840d.jpg"></p>
<li>15. Repeat this step twice.  Each time use a different brush setting that is bigger than the one before it.  I started with the 5px brush, then I used a 45px brush followed by a 100px brush.  Each time use a different color.  The topmost (bigger) arc should be set to &#8216;Linear Dodge (Add)&#8217; with an opacity of 35%.  The middle layer should be set to &#8216;Overlay&#8217; and the original (the white one) should be set to &#8216;Linear Dodge (Add)&#8217;.
<p><img src="http://farm3.static.flickr.com/2122/2415497361_0546a79b9c.jpg"></p>
<li>16. I grouped these together then, using the technique from Step 7 again, I use layer masking to block one half of the sphere I created.</li>
<li>17. To create the energy &#8216;tendrils&#8217; that are leaping from the arc.  Duplicate the grouped folder from Step 16.  Then merge the group or folder into one layer.  Select <b>Filter &gt;&gt; Liquify</b> and distort the arc to look like it should for your image.  Secondly, we&#8217;ll select <b>Filter &gt;&gt; Distort &gt;&gt; Ripple</b> and tweak it to look a bit more like electricity.</li>
<li>18. Now we&#8217;re done.  Outside of some techniques that I used to make the image more polished, this completes the tutorial.  </li>
</ul>
</div>
<div style="background-color:#f4f4f4;padding:5px;border:1px solid #ccc;">
<p><strong>If you liked this tutorial you might want to check these out:</strong></p>
<ul>
<li><a href="http://www.developertutorials.com/tutorials/photoshop/making-your-own-watermark-with-photoshop-8-03-07/page1.html">Making Your Own Watermark with Photoshop</a></li>
<li><a href="http://www.developertutorials.com/tutorials/photoshop/creating-a-custom-mp3-player-with-photoshop-8-01-25/page1.html">Creating a Custom MP3 Player with Photoshop</a></li>
<li><a href="http://www.developertutorials.com/tutorials/photoshop/design-a-mystical-old-book-with-photoshop-8-03-14/page1.html">Design a Cool Old Book with Photoshop</a></li>
<li><a href="http://www.developertutorials.com/tutorials/photoshop/designing-a-black-zune-2-in-photoshop-8-03-16/page1.html" target="_blank">Designing a Black Zune 2 in Photoshop</a></li>
<li><a href="http://www.developertutorials.com/tutorials/photoshop/extract-dialog-panel-050619/page1.html">Photoshop Extract Dialog Panel</a>
  </li>
</ul>
</div>
]]></content:encoded>
			<wfw:commentRss>http://www.developertutorials.com/blog/design/photoshop-design/creating-energy-spheres-in-photoshop-119/feed/</wfw:commentRss>
		<slash:comments>87</slash:comments>
		</item>
	</channel>
</rss>
